Altman, R. (1984). A Semantic/Syntactic Approach to Film Genre. Cinema Journal, 23(3).
Barbieri, B. (2013). Examining Film Noir and the Private Detective Archetype Through The Maltese Falcon. Frontani, 3.
Biesen, S. C. (2005). Blackout: World War II and The Origins of Film Noir. New York: The Johns Hopkins University Press.
Borde, R., & Chaumeton, E. (1955). Towards a Definition of Film Noir. Film Noir Reader .
Butler, J. (1985). Miami Vice and The Legacy of Film Noir. Popular Film and Television. Film Noir History. (n.d.). From School of MediaArts: https://soma.sbcc.edu/users/davega/filmst_118/genre/filmnoir/filmnoir_history_filmorg.pdf
Christopher, N. (1997). Somewhere in the Night: Film Noir and the American City. New York: Free Press.
Conard, M. (2007). The Philosophy of Neo-Noir ( pp. 47 ).United States: National Endownment for the Humanities.
Gledhill, C. (1980) Klute 1: A Contemporary Film Noir and Feminist Criticism,
in: Kaplan, E. A. (ed.) Women in Film Noir, London, British Film Institute
Publishing (revised edition)
Hayward, S. (2006). Cinema Studies : The Key Concept (6th ed.). New York.
Hirsch, F. (1981). The Dark Sideof the Screen: Film Noir. Da Capo Press.
Hordness, L. (2000). The Origin of Film Noir. American History- From Revolution to Reconstruction and beyond, 20-21.
Huston, J (Director). (1941). The Maltese Falcon [Motion Picture]. United States : Warner Bros.
Jarvie, I. (2006). Knowledge, Morality and Tragedy in The Killers and Out of The Past. In M. T. Conard, The Philosophy of Film Noir. National Endowment for The Humanities.
Knight, D. (2003). On Reason and Passion in The Maltese Falcon. In M. T. Conard, The Philosophy of Film Noir. National Endowment for The Humanities.
Kruitnik, F. (1991). In a Lonely Street: Film noir genre,and masculinity. London: Routledge.
Luhr, W. (2012). Film Noir. London : Blackwell Publishing.
McDonnell, B. (2007). Film noir and the city. In Mayer, G. (Ed.) , Encyclopedia of film noir ( pp. 47-61). New York : Greenwood Press.
McDonnell, B. (2007). Film noir style. In Mayer, G. (Ed.). Encyclopedia of film noir (pp. 70-84). New York : Greenwood Press.
Naremore,J. (2008). More than Night: Film Noir in Its Contexts. California: University of California Press
Park, W. (2011). What Is Film Noir? Bucknell University Press.
Penzler, O., & James. (2010). The Best American Noir of the Century. New York: Houghton Mifflin Harcourt.
Phillips, G. D. (2000). Creatures of Darkness: Raymond Chandler, Detective Fiction, and Film Noir. National Endowment for The Humanties.
Place, J. , & Peterson, L. (1974). Some visual motifs of film noir. Film Comment, 10(1), 65-69.
Prabhat, J. (2011). Difference Between Noir and Neo-Noir. United Kingdom : Greenland Publisher.
Schrader, P. (1972). Notes on film noir. Film Noir Reader, 8(1), 53-63.
Schwartz, R. (2005). The New Film Noir Style from . Neo-Noir, ix.
Silver, A. (2003). Ride The Pink Horse: Money, Mischance, Murder, and The Monads of Film Noir. In M. T. Conard, The Philosophy of Film Noir. National Endowment for The Humanities.
Telotte, J. P. (1989). Voices in The Dark: The Narrative Patterns of Film Noir. Georgia Tech Foundation, Inc.
Barbieri, B. (2013). Examining Film Noir and the Private Detective Archetype Through The Maltese Falcon. Frontani, 3.
Biesen, S. C. (2005). Blackout: World War II and The Origins of Film Noir. New York: The Johns Hopkins University Press.
Borde, R., & Chaumeton, E. (1955). Towards a Definition of Film Noir. Film Noir Reader .
Butler, J. (1985). Miami Vice and The Legacy of Film Noir. Popular Film and Television. Film Noir History. (n.d.). From School of MediaArts: https://soma.sbcc.edu/users/davega/filmst_118/genre/filmnoir/filmnoir_history_filmorg.pdf
Christopher, N. (1997). Somewhere in the Night: Film Noir and the American City. New York: Free Press.
Conard, M. (2007). The Philosophy of Neo-Noir ( pp. 47 ).United States: National Endownment for the Humanities.
Gledhill, C. (1980) Klute 1: A Contemporary Film Noir and Feminist Criticism,
in: Kaplan, E. A. (ed.) Women in Film Noir, London, British Film Institute
Publishing (revised edition)
Hayward, S. (2006). Cinema Studies : The Key Concept (6th ed.). New York.
Hirsch, F. (1981). The Dark Sideof the Screen: Film Noir. Da Capo Press.
Hordness, L. (2000). The Origin of Film Noir. American History- From Revolution to Reconstruction and beyond, 20-21.
Huston, J (Director). (1941). The Maltese Falcon [Motion Picture]. United States : Warner Bros.
Jarvie, I. (2006). Knowledge, Morality and Tragedy in The Killers and Out of The Past. In M. T. Conard, The Philosophy of Film Noir. National Endowment for The Humanities.
Knight, D. (2003). On Reason and Passion in The Maltese Falcon. In M. T. Conard, The Philosophy of Film Noir. National Endowment for The Humanities.
Kruitnik, F. (1991). In a Lonely Street: Film noir genre,and masculinity. London: Routledge.
Luhr, W. (2012). Film Noir. London : Blackwell Publishing.
McDonnell, B. (2007). Film noir and the city. In Mayer, G. (Ed.) , Encyclopedia of film noir ( pp. 47-61). New York : Greenwood Press.
McDonnell, B. (2007). Film noir style. In Mayer, G. (Ed.). Encyclopedia of film noir (pp. 70-84). New York : Greenwood Press.
Naremore,J. (2008). More than Night: Film Noir in Its Contexts. California: University of California Press
Park, W. (2011). What Is Film Noir? Bucknell University Press.
Penzler, O., & James. (2010). The Best American Noir of the Century. New York: Houghton Mifflin Harcourt.
Phillips, G. D. (2000). Creatures of Darkness: Raymond Chandler, Detective Fiction, and Film Noir. National Endowment for The Humanties.
Place, J. , & Peterson, L. (1974). Some visual motifs of film noir. Film Comment, 10(1), 65-69.
Prabhat, J. (2011). Difference Between Noir and Neo-Noir. United Kingdom : Greenland Publisher.
Schrader, P. (1972). Notes on film noir. Film Noir Reader, 8(1), 53-63.
Schwartz, R. (2005). The New Film Noir Style from . Neo-Noir, ix.
Silver, A. (2003). Ride The Pink Horse: Money, Mischance, Murder, and The Monads of Film Noir. In M. T. Conard, The Philosophy of Film Noir. National Endowment for The Humanities.
Telotte, J. P. (1989). Voices in The Dark: The Narrative Patterns of Film Noir. Georgia Tech Foundation, Inc.
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